Frightening Writers Share the Most Frightening Narratives They have Ever Encountered

Andrew Michael Hurley

The Summer People by Shirley Jackson

I discovered this story years ago and it has lingered with me ever since. The titular vacationers are a couple from New York, who rent an identical off-grid lakeside house annually. This time, rather than heading back to the city, they opt to lengthen their holiday an extra month – an action that appears to alarm everyone in the surrounding community. Each repeats the same veiled caution that nobody has remained at the lake after the end of summer. Regardless, they are resolved to stay, and that is the moment events begin to grow more bizarre. The person who brings oil declines to provide to them. Nobody agrees to bring groceries to the cottage, and at the time they attempt to drive into town, the car fails to start. A storm gathers, the energy in the radio die, and when night comes, “the two old people clung to each other within their rental and anticipated”. What are the Allisons expecting? What could the residents be aware of? Each occasion I revisit Jackson’s disturbing and thought-provoking narrative, I recall that the best horror comes from the unspoken.

Mariana EnrĂ­quez

Ringing the Changes by a noted author

In this brief tale a pair travel to a common seaside town in which chimes sound the whole time, a perpetual pealing that is annoying and puzzling. The initial truly frightening scene occurs after dark, as they choose to walk around and they fail to see the ocean. The beach is there, there is the odor of decaying seafood and salt, waves crash, but the sea is a ghost, or another thing and more dreadful. It is simply deeply malevolent and whenever I go to a beach in the evening I think about this story which spoiled the beach in the evening to my mind – in a good way.

The newlyweds – she’s very young, he’s not – head back to the hotel and discover why the bells ring, in a long sequence of confinement, macabre revelry and death-and-the-maiden meets danse macabre chaos. It’s an unnerving meditation on desire and deterioration, two people growing old jointly as partners, the bond and violence and tenderness in matrimony.

Not only the most terrifying, but probably one of the best concise narratives in existence, and an individual preference. I read it in Spanish, in the debut release of Aickman stories to be published in Argentina several years back.

A Prominent Novelist

Zombie from an esteemed writer

I delved into this book beside the swimming area in the French countryside recently. Even with the bright weather I experienced an icy feeling over me. Additionally, I sensed the excitement of anticipation. I was composing my third novel, and I encountered a block. I didn’t know whether there existed a proper method to craft various frightening aspects the book contains. Going through this book, I saw that it could be done.

Published in 1995, the book is a grim journey into the thoughts of a murderer, the main character, modeled after an infamous individual, the serial killer who killed and mutilated 17 young men and boys in Milwaukee over a decade. Infamously, Dahmer was fixated with making a submissive individual who would stay him and made many macabre trials to accomplish it.

The actions the story tells are appalling, but similarly terrifying is its psychological persuasiveness. The character’s awful, broken reality is directly described with concise language, details omitted. The reader is immersed caught in his thoughts, compelled to witness mental processes and behaviors that horrify. The alien nature of his psyche resembles a physical shock – or getting lost on a barren alien world. Starting this story is not just reading than a full body experience. You are absorbed completely.

Daisy Johnson

White Is for Witching from Helen Oyeyemi

In my early years, I walked in my sleep and later started experiencing nightmares. On one occasion, the horror featured a vision where I was confined inside a container and, as I roused, I realized that I had ripped a piece out of the window frame, seeking to leave. That home was crumbling; during heavy rain the entranceway filled with water, fly larvae came down from the roof into the bedroom, and at one time a sizeable vermin scaled the curtains in my sister’s room.

When a friend handed me the story, I had moved out with my parents, but the narrative about the home perched on the cliffs seemed recognizable to me, nostalgic at that time. It is a novel about a haunted loud, emotional house and a girl who consumes chalk off the rocks. I adored the story deeply and went back repeatedly to the story, each time discovering {something

Taylor Craig
Taylor Craig

Elara is a wellness coach and writer passionate about holistic living and mindfulness practices.

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